Ski talks about not liking the "Dead Presidents" instrumental initially (WHAT!), how "Feelin' It" was originally his song, and how Jay rubbed getting the "Streets Is Watching" beat in Big's face.
Can't even begin to tell you what this man and this video have personally done for my life. But I'll try. This was a beginning of sorts for me and Kanye in a plethora of ways. Even though I didn't know it at the time, this song was one of the reasons I ultimately begin rapping.
Growing up in New Orleans, Wayne was the biggest star in the city but around my ninth grade year is when he really began killing the game on a national level as a solo artist. As a result of that, everyone in New Orleans was on him. While Wayne's star was on the rise, there was another man from Chicago that caught my eye; his name was Kanye West. I remember coming home one day after school, going up to my room, and turning on BET (now that I was finally allowed to watch it. Actually, mom probably didn't like it but I did anyway) and this new video was called "Throught The Wire" was coming on. First thing I noticed was I loved the intro and the beat as well. Whoever produced the beat sampled Chaka Kahn's "Through The Fire" but sped it up and did something crazy with it. Then there were the lyrics: this story about a guy who got in a car accident, nearly died, had to get his mouth wired shut, and wrote a song about the entire process. I was moved, captivated, and immediately wanted to know more the man and his work. As the video ends, it shows him getting his chain, finalizing his Roc-a-Fella (my favorite label) coming out party and making beats for one of my favorite rappers ever (and my favorite rapper living), Jay-Z.
Looking back now, it almost seems I was destined to be a Kanye fan. But if I could name the most important thing Mr. West did for me, it would probably be this: He showed me that it was okay to be yourself. Not to say I wasn't content with who I was but hearing him say it reassured how I already felt about myself, thus making me that much more comfortable in my own skin in the process. Not many artist, especially people I've never met before, have impacted my life like that.
'Ye wasn't the first rapper to really inspire me (Pac, Jay) and he won't be the last (Cole) but I can assuredly say, he's one of the most important.
What artists have had the biggest impact on you? Leave your thoughts in the comments section.
Cole talks about "Dead Presidents II" serving it's purpose and potentially writing to it again for a third installment. Anyone who really knows me or sees me regularly is bound to hear spitting either of those DP II verses. I like Cole's first go at DP (and as Steve explained, it showed his hunger) but the second one is my favorite because it displayed how much he had grown as an artist from his lyrics to his flow; it showed his growth.
As I've said in the past, "Dead Presidents" is one of my favorite beats of all-time, if not my outright favorite. I've written to it several times. Maybe yall will get to hear that one day. But enough about me, what's your favorite J. Cole version of Dead Presidents (I or II,) and why? Both songs are listed below. Let me know what your opinions are in the comments section.
"I don't put out a song everyday, or every week, or every month...but I'm doing a song all the time and I'm in the studio all the time. If I ain't making a song I'm trying to make a beat to make a song. I'm always working. I feel like it's the behind the scenes things that count. It's not about looking and appearing like you're working."
After covering some familiar territory, Cole talks about working hard on his music, from a producing and rapping standpoint, behind the scenes. Additionally, he describes
I've said it previously, I'm saying it now, and I'm sure I'll say it again in the near future until yall get it through your thick heads: Dreamville!
This is amazing, truly a remarkable young man.
Despite all the challenges and adversity he's endured throughout the course of his life (being robbed, his mother having cancer, and dealing with the death of his brother) Deonte Bridges was the valedictorian of his graduating class and has secured over $1 million in scholarships to pay for his undergraduate and graduate degrees.
For every Sean Bell and Oscar Grant it's nice to know there are some great stories out there. This made my day, hope it does the same for you.
As a New Orleans native and an artist, this makes me very happy. If you aren't familiar with the city, this took place right by the world famous Cafe Du Monde near Jackson Square in downtown New Orleans. Kravitz seems very open to others and has lived in the city for quite some time now (well before Katrina). He continues to show his love, admiration, and support for the city; We need that. So props to that man, clap for 'em yall.
Decided a few weeks back I'm occasionally (on Monday's) gonna start putting up some of my favorite mixtapes from time to time, and look who I'm starting with. Jermaine's second mixtape, "The Warm Up" was his official unofficial introduction to the masses. I'll throw his first tape up soon for everyone just getting put on game.
P.S. I know it isn't Monday but it's the next best thing. Hey, better late than never right?
Here's some footage of Cole's first visit with DJ Semtex while out in the London. I've heard the first verse before, I wonder if the others are from the album. We'll see. Shouts to Mike Shaw in the background.
Part II
Bonus
This video gets pretty hilarious around the 5:00 mark.
New Yorkers are truly a special group of people. Regardless of the topic, they always say how they feel, do it colorfully, and get right to the point: Lebron is no exception. Dallas Penn goes around the city asking folks what Lebron should do and why. This video made me want to get back to the city ASAP.
9th sits down with NodFactor and talks about how he plans to build up his artist. Additionally, he mentions plans of possibly working with J. Cole in the near future (NC stand up). So talented yet so humble. One of the best to ever do it.
During his first time in London for the 2010 Wireless Festival, Cole sat down with SoulCulture and revealed three song titles off his upcoming debut album scheduled to hit stores October, 26th.
"Won't be Long" and "Wet Dreams" are what he describes as "classic J.Cole" and can be held in the same breath as "I Get Up" while "Never Told", a song produced by No I.D., provides something the he initially wasn't sure he wanted to talk about on his first album but ultimately decided to use.
I wonder if Kobe was rapping back then or if he started when he got to the NBA; either way I'm sure Omen would love these photos. You can view more photos on the link below. Props: SLAM
Ski provides some insight into his life and times as a producer. He even says after hearing Jay-Z rap for the first time he didn't want to rap anymore. Considering he made "Dead Presidents" (one of my all-time favorite songs and beats), "Feelin' It", and a ton of other crazy records, I'd say it wasn't a bad decision at all.
Big K.R.I.T. gives his opinion on being booed earlier this week at the Highline Ballroom in New York. I thought he handled it pretty well. Gotta respect his perseverance and perspective on the matter. Heard he killed the S.O.B.'s show. Meridian's finest.